David Gilmour’s “Luck and Strange” topped The Sun’s Something For The Weekend’s list of 50 best albums of 2024. The Pink Floyd guitarist’s fifth solo album resonated deeply, marking his most fulfilling musical collaboration since “The Dark Side Of The Moon.” The album combined Gilmour’s signature sound with a fresh, contemporary feel, thanks to producer Charlie Andrew. Adding to the album’s special nature was the involvement of Gilmour’s family, with lyrics by his partner, Polly Samson, and vocals by their daughter, Romany. The ensuing tour, including six nights at the Royal Albert Hall, solidified the album’s success.
Charli XCX’s “Brat” secured the second spot with its unique blend of cool underground vibes and vulnerable lyrics. Vampire Weekend’s long-awaited comeback album, “Only God Was Above Us,” followed at number three, showcasing a world-weary yet ultimately hopeful perspective. Michael Kiwanuka’s stripped-down “Small Changes” claimed the fourth position, highlighting his signature minimalist yet gorgeous sound. Nick Cave & The Bad Seeds delivered an intense and spiritual experience with “Wild God,” landing at number five.
Jack White’s surprise album, “No Name,” showcased his raw blues prowess, reminiscent of his work with The White Stripes. Gillian Welch & David Rawlings’ “Woodland” offered a timeless blend of folk, bluegrass, and country, securing the seventh spot. Fontaines D.C.’s focused and thrilling “Romance” claimed number eight, exploring complex themes of romantic love. Kendrick Lamar’s surprise release, “GNXA,” further solidified his visionary status in hip-hop, landing at number nine. Kim Gordon’s experimental and reflective “The Collective” rounded out the top ten.
The remainder of the list showcased a diverse array of musical talent, from established veterans to rising stars. The Libertines made a lively return with “All Quiet On The Eastern Esplanade,” while Thus Love offered an exciting new sound with “All Pleasure.” St. Vincent delivered a raw and emotional experience with “All Born Screaming,” and The Cure’s long-awaited “Songs Of A Lost World” proved a gloomy yet beautiful masterpiece. Beth Gibbons’ “Lives Outgrown” offered a rare and precious look at mortality.
Taylor Swift’s introspective and deeply personal “The Tortured Poets Department” landed at number sixteen. Rod Stewart & Jools Holland’s “Swing Fever” paid tribute to the big band era, while Elbow’s groovy “Audio Vertigo” featured dark moments amidst a brighter sound. Shaznay Lewis and Snow Patrol delivered classy pop and big anthems respectively. Billie Eilish’s “Hit Me Hard And Soft” explored the willful freedom of youth, showcasing her introspective and emotional lyrics.
Gruff Rhys’ “Sadness Sets Me Free” combined lush melodies with darker lyrical themes, and John Grant delivered a compelling song cycle with “The Art Of The Lie.” Kings of Leon continued their musical journey with “Can We Please Have Fun,” while Confidence Man offered euphoric dancefloor bangers. Christy Moore’s “A Terrible Beauty” showcased his enduring passion, and MGMT returned with a beautifully crafted and reflective album. Empire of the Sun’s “Ask That God” demonstrated their enduring magic, and Green Day’s “Saviors” offered a politically charged commentary.
Laura Marling’s “Patterns In Repeat” explored themes of motherhood, and Sabrina Carpenter cemented her pop powerhouse status. Pet Shop Boys’ “Nonetheless” offered comforting melodies, while Kasabian celebrated their 20-year reign with “Happenings.” Nick Lowe returned with a retro-styled “Indoor Safari,” and James Bay’s collaborative album showcased his most honest work. Bring Me The Horizon continued to redefine their sound, and The Black Crowes delivered a soulful and riff-driven experience. The Smile offered wildly inventive music, and Pixies’ “The Night The Zombies Came” proved a strange and captivating album.
Tyler, The Creator’s “Chromakopia” showcased his creative explosion of ideas, while Waxahatchee’s “Tigers Blood” combined dark themes with warm Americana. Jacob Collier’s collaborative “Djesse Vol. 4” earned a Grammy nomination, and Post Malone’s country album “F-1 Trillion” featured a star-studded lineup of collaborators. The Waeve’s “City Lights” showcased a bigger and bolder sound, and English Teacher’s “This Could Be Texas” proved a post-punk masterclass. The Last Dinner Party’s hyped debut album lived up to expectations, John Bramwell delivered a heartfelt solo album, and Flo’s debut offered classy R&B and hip-hop influences. Finally, Mercury Rev’s “Born Horses” provided a psychedelic rock experience with a confessional tone.
