Katie Price’s recent pantomime performance as a wicked stepsister in Cinderella has sparked a wave of online criticism, primarily focused on her singing and dancing abilities. TikTok videos of her performance have drawn negative comments, with some viewers questioning her rehearsal time and describing her singing as “screeching.” Others pointed out apparent mistakes in the choreography, suggesting she wasn’t familiar with the routines. While some defended her, arguing that flawed performances are a common and accepted part of the pantomime tradition, the overall sentiment online leaned towards disapproval of her performance quality.
Despite the negative feedback, Price’s participation in the pantomime alongside her friend Kerry Katona has been a financial success. She reportedly secured a £50,000 fee for the role, a significant sum considering her previous bankruptcy in 2019. The production itself has also benefited from their involvement, with ticket sales breaking box office records for the Northwich Memorial Court theatre. This financial success underscores the enduring public interest in Price, even amidst critical reviews of her performance.
The criticism of Price’s pantomime appearance extends beyond her onstage performance. She also faced scrutiny for parking in a disabled bay without a permit, although she later clarified that she was transporting her eldest son Harvey, who has complex needs. This incident highlights the ongoing public scrutiny of Price’s actions, both on and off stage. Despite the controversy, Harvey later joined her on stage, adding a heartwarming element to the performance for some viewers.
Public reaction to Price’s pantomime performance has been divided. While some viewers criticized her singing and dancing, others praised her and enjoyed the show. Positive comments on social media described her as an “icon” and commended her performance in last year’s pantomime. This mixed reception reflects the polarizing nature of Price’s public image, with some remaining loyal fans despite the negative attention. Her appearance at a charity event following the performance, where she showcased her recent cosmetic surgery, further fueled the ongoing discussion about her public persona.
Beyond the performance itself, Price’s involvement in the pantomime carries a certain narrative weight. Her financial struggles, including her bankruptcy and eviction notice, provide a backdrop to her £50,000 earnings from the production. This financial aspect underscores the importance of the pantomime role for Price, offering a degree of financial stability amidst her ongoing challenges. Her decision to live with Kerry Katona during the pantomime run also suggests a focus on practicality and cost-saving.
In conclusion, Katie Price’s pantomime appearance has generated a mix of reactions, ranging from sharp criticism of her performance to praise for her resilience and financial success. The online discourse surrounding her singing, dancing, and even parking choices highlights the ongoing public fascination with her life and career. While some viewers found her performance lacking, others enjoyed the show and defended her participation within the context of pantomime tradition. Ultimately, her involvement has proven financially beneficial for both herself and the production, demonstrating her enduring appeal despite the controversies and criticisms. Her story illustrates the complex relationship between celebrity, performance, and public perception.
