Michael Gray, a prominent UK Disco House producer, has breathed new life into Jocelyn Brown’s 1982 Salsoul classic, “I Like It Like That.” Released on Fool’s Paradise, a sub-label of Toolroom Records spearheaded by Mark Knight, this remix exemplifies the label’s commitment to revitalizing timeless tracks for contemporary audiences. Gray, already recognized for his successful remix of Raw Silk’s “Do It To The Music,” earlier this year on the same label, brings his signature dancefloor dynamism to Brown’s iconic track. This release follows a string of successful reinterpretations of classic disco anthems, solidifying Gray’s position as a leading figure in the modern disco scene. The remix offers a fresh perspective on a beloved classic, ensuring its continued resonance with both long-time fans and a new generation of disco enthusiasts.
Gray’s remix of “I Like It Like That” builds upon the foundation laid by the original Shep Pettibone mix, which he cites as a personal favorite. Having access to the original parts allowed Gray to meticulously craft a new interpretation while retaining the essence of what made the track so impactful. This approach aligns with Gray’s broader philosophy of respecting the source material while infusing it with his own distinct style. The result is a dynamic and energetic remix that stays true to the spirit of the original while injecting a contemporary house sensibility. The remix has already garnered significant attention, further cementing Gray’s reputation as a master of disco reinvention.
Beyond “I Like It Like That,” Gray curated a playlist of disco classics that have influenced his work and continue to inspire him. This selection showcases his deep appreciation for the genre and provides insight into the sounds that shape his productions. Included in the playlist is Gray’s own remix of Unlimited Touch’s “I Hear Music In The Streets,” another track recently given a full release after generating positive reactions in clubs. The inclusion of this remix highlights Gray’s prolific output and his consistent ability to reimagine classic tracks for modern dancefloors.
The playlist also features tracks from other prominent remixers, reflecting Gray’s admiration for their work and his understanding of the collaborative nature of the disco and house music scenes. Dave Lee’s disco mixes of Saturday Night Band’s “Come On Dance, Dance” and Sheila B. Devotion’s “Spacer” exemplify the energy and infectious grooves that define disco’s enduring appeal. John Morales’ M+M mix of Cheryl Lynn’s “Got To Be Real,” another highlight, showcases Morales’ long-standing influence on the genre, dating back to the 1970s. These selections underscore the richness and depth of the disco landscape, demonstrating the genre’s continued relevance and adaptability.
Gray’s playlist continues with Dr. Packer’s contemporary take on the 80s classic “You’re Lying” by Linx, demonstrating the ongoing evolution of disco and its influence on modern electronic music. Gray also includes his own remix of MFSB’s “Love Is the Message,” a track he crafted specifically for his DJ sets, highlighting its uplifting qualities and ability to connect with audiences. The Reflex Revision of McFadden & Whitehead’s “Ain’t No Stoppin’ Us Now” further exemplifies the enduring power of disco anthems to ignite the dancefloor.
The playlist concludes with Gray’s remix of Sylvester’s iconic “You Make Me Feel (Mighty Real),” a cornerstone of 70s electronic music. Having had the opportunity to work with the multitrack, Gray describes this remix as “an absolute pleasure,” emphasizing the profound impact the original song had on him. Finally, his remix of Raw Silk’s “Do It To The Music,” which he adapted for contemporary house clubs by increasing the tempo and reworking the drums and arrangement, showcases his ability to bridge the gap between classic disco and modern house music. This curated selection provides a comprehensive overview of Gray’s musical influences and highlights the enduring power of disco to inspire and invigorate dancefloors across generations. His dedication to preserving the spirit of these classics while imbuing them with his own unique touch has solidified his status as a leading force in the contemporary disco revival.
